Pitch #1: Differing Perspectives
Pitch #1: A documentary focusing on African refugees who have made their home here in the United States. I know several people born in the Congo, and had to flee to America under violent regimes. One of them witnessed his grandfather get executed. These folks have made a home here in America and have become an integral part of the community here. An angle I think would be interesting to explore is: how does their perception of world and political events inform their view on America's current situation? Many prominent government officials - the president, attorney general, president's advisors, etc, have been accused of or have a provable history of racist behavior. What are these folks' thoughts on America's current political situation, with the perspective they have from a much more violent country? I plan on incorporating backstory from their experiences before coming to America. I may choose to completely focus the story on their experiences as well, without getting into the political weeds -- I haven't decided yet.
This would be super interesting! There's so many different angles that you could go, but I'm not sure if you could do this story justice without getting at least a little bit political, so maybe you should embrace that. Refugees are a population who unfortunately don't get their stories told very often once they've "made it" over, but we're all familiar with how hard life for them was beforehand. I don't tend to shy away from politics, so I'm sure that we would do this piece very differently, but I'd consider making this about refugees' lives here, and what support they need.
ReplyDeleteBen,
ReplyDeleteI like the idea of not making the story political, for a very key reason: it already is. After one of the awards shows--I think it was the Grammys--an administration official lamented that the arts had become so political, and I couldn't help but laugh. I don't think that there's such a thing as apolitical art. Once a person, with their background and bias, chooses to tell a story, even that choice is political. What that means is that often, when someone is being consciously political, it comes off as heavy handed. I know in workshop, certainly, whenever anyone had a big message they were trying to fit into their story, it ruined it for me. I think giving refugees a voice in this way--that is just political enough.
I'm curious to see what directions the interviews pull this.
Well, shoot, John's post took the words out of my mouth. I think that the interviewees' perspectives on both American current events and their personal past should take precedence in this documentary. Because of your background in music, I feel that this documentary would also be a great opportunity to showcase the interviewees' favorite music, too! (Just a suggestion.) :)
ReplyDeleteThis is an important story, Ben. What you're pitching, however, sounds at lot like a journalistic documentary rather than an essayistic one. What draws you to want to talk to these refugees other than compassion for their struggles? In what ways do their struggles present struggles for you? For example, I would be drawn to learn more about your Congo friend's story not only because it would be interesting, but because it might help re calibrate my own fears about keeping my family safe. It might put such fears in a new perspective. I know it's hard to say exactly the ways in which refugee stories might touch your own life, but do you have any initial thoughts about that?
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